By Jason Powell, William T. Rossiter
An in depth exam of the connection among the discourses and practices of authority and international relations within the past due medieval and early smooth classes, Authority and international relations from Dante to Shakespeare interrogates the power duality of the jobs of writer and ambassador. the amount techniques its topic from a literary-historical viewpoint, drawing upon past due medieval and early sleek rules and discourses of international relations and authority, and reading how they're manifested inside diversified types of writing: drama, poetry, diplomatic correspondence, peace treaties, and family debts. individuals specialize in significant literary figures from various cultures, together with Dante, Petrarch, and Boccacio from Italy; and from England, Chaucer, Wyatt, Sidney, and Spenser. moreover, the ebook strikes among and throughout literary-historical classes, tracing the improvement of thoughts and discourses of authority and international relations from the past due medieval to the early sleek period.Taken jointly, those essays forge a broader argument for the centrality of international relations and diplomatic recommendations within the literature and tradition of overdue medieval and early glossy England, and for the significance of international relations in present experiences of English literature sooner than 1603.
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Extra info for Authority and Diplomacy from Dante to Shakespeare
Frazer (Cambridge, MA, 1931), I. 493: ‘Omne solum forti patria est, ut piscibus aequor’ (‘Every land is to the brave his country, as to the fish the sea’). This becomes a vernacular topos recalled by Brunetto Latini, amongst others, in a passage that defines the attitude that the wise man should have when facing the prospect of exile: ‘Paor dit: “Tu seras chaciez en exil”. Seurtez respont: “Le païs ne m’est contredit, mes le leuc; car tout ce qui est desouz le ciel est mon païs: la troverai villes, la troverai la mer, la troverai les pors.
4 was ‘nutrito … fino al colmo della vita’ (‘bred up to the pinnacle of my life’) before being violently torn away. 13 Dante initially conforms to and even occasionally reproduces this literary mode – which, incidentally, suggests the importance of the occasion, that is, of the context in which the reconstruction has been elaborated – but his self-representation as an exile gradually moves away from it. The removal is such that it requires an interrogation of its causes, whether it was simply brought about by Dante’s general disapproval of the Sicilian-Tuscan mode, or also by his impatience with the limited possibilities of this discursive configuration and with an horizon of political sayability which relegates the subject to a morally fragile position, because bound in the mesh of a sensual eros.
Barolini and H. Wayne Storey (eds), Dante for the New Millennium (New York, 2003), pp. 389–407. In addition see S. Marchesi, ‘Distilling Ovid: Dante’s exile and Some Metamorphic Nomenclature in Hell’, in J. ), Writers Reading Writers: Intertextual Studies in Medieval and Early Modern literature in Honor of Robert Hollander (Newark, 2007), pp. 21–39, which emphasizes Ovid’s role as replacement for Brunetto’s model. 15 As has been noted by R. Wilson, ‘Exile and Relegation in Dante and Ovid’, Annali d’Italianistica, 20 (2002): 55–72.
Authority and Diplomacy from Dante to Shakespeare by Jason Powell, William T. Rossiter